NoWASTE

NoWASTE
In essence, the NoWaste project not only transforms discarded items into stunning jewellery
but also acts as a catalyst for social change and environmental consciousness
ARTISTIC AND SOCIAL COMMITMENT
NoWaste is a groundbreaking initiative that blends social responsibility with environmental consciousness, challenging the stereotype that jewellery is synonymous with extravagance. This avant-garde approach gives a second life to discarded objects by transforming them into contemporary and ethical pieces, crafted by 89 students from Belgian jewellery schools under the guidance of their professors.
These 170 unique pieces are showcased during the Brussels Jewellery Week, simultaneously with the international exhibition PARTICLE[S] @ MAD Brussels.
The proceeds from the sale of these pieces significantly contribute to the non-profit association, Solidarité Grands Froids, which supports the underprivileged in Brussels.
Beyond its social impact, the project aims to raise awareness about waste, particularly in the fashion industry, emphasizing its impact on the planet and the living conditions of workers.
NoWaste embodies an artistic and social initiative, urging a reconsideration of our relationship with fashion and art, encouraging more sustainable practices.
PARTICIPATING SCHOOLS
D'Academie Beeld / Sin-Niklaas
IKA / Mechelen
Institut Jeanne Toussaint / Brussels
KASKA DKO / Antwerpen
RHoK Academy / Etterbeek
© Elias Derboven / RAW Pictures
INTERVIEWs by RAW Pictures
NoWaste Award
by Les Brucelles
"(T)rouwen" by Anne BLOK
In Dutch, 'trouwen' means to marry, and 'rouwen' to grieve.
Grief is the flip side of love.
On the front, inspired by Zeeland's cultural heritage, lies the motif of a cap ring—a symbol worn during joyous occasions and sometimes as a wedding ring. White beads are delicately intertwined, bound together by a white loop.
Turn it around, and you'll find the back adorned with mourning beads, also part of Zeeland's heritage. Round beads signify profound mourning, while faceted beads represent lighter sorrows, both worned by Anne’s grandmother. The black cotton thread, once a connection, now stands severed.
(Wearing white or black garments was a way of seeking invisibility from death.)
Anne employs the cross as a symbol of human suffering.
The central concept is to embrace life's joys while acknowledging hidden losses. Carpe diem/memento mori.
Photo credit: Stanislas Huaux
A big "Thank You" to
Solidarité Grands Froids
You can support their mission by donating at their Headquarter
Rue de Danemark 74, 1060 Saint-Gilles
Phone: +32 (0)477 33 85 47
Website: https://solidaritegrandsfroids.be/